{"id":10582,"date":"2014-02-25T02:54:46","date_gmt":"2014-02-25T02:54:46","guid":{"rendered":"http:\/\/antaiji.org\/?p=10582"},"modified":"2021-05-12T00:00:11","modified_gmt":"2021-05-12T00:00:11","slug":"%e3%82%b6%e3%83%93%e3%83%bc%e3%83%8d%e3%83%bb%e3%83%86%e3%82%a3%e3%83%a2%e3%83%86%e3%82%aa%ef%bc%9a%e3%80%8c%e9%b3%a5%e3%81%ae%e7%b5%b5%e3%82%92%e6%8f%8f%e3%81%8f%e7%82%ba%e3%81%ab%e3%80%8d%e3%81%ab","status":"publish","type":"post","link":"https:\/\/antaiji.org\/de\/%e3%82%b6%e3%83%93%e3%83%bc%e3%83%8d%e3%83%bb%e3%83%86%e3%82%a3%e3%83%a2%e3%83%86%e3%82%aa%ef%bc%9a%e3%80%8c%e9%b3%a5%e3%81%ae%e7%b5%b5%e3%82%92%e6%8f%8f%e3%81%8f%e7%82%ba%e3%81%ab%e3%80%8d%e3%81%ab\/","title":{"rendered":"Letzter Teil der Ringvorlesung im Winter: Sabine Timoteo im Kaefig, 25. Februar 2014"},"content":{"rendered":"<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/i8zztbvPKRQ\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>TO PAINT THE PORTRAIT OF A BIRD<\/p>\n<p>First paint a cage<br \/>\nwith an open door<br \/>\nthen paint<br \/>\nsomething pretty<br \/>\nsomething simple<br \/>\nsomething beautiful<br \/>\nsomething useful<br \/>\nfor the bird<br \/>\nthen place the canvas against a tree<br \/>\nin a garden<br \/>\nin a wood<br \/>\nor in a forest<br \/>\nhide behind the tree<br \/>\nwithout speaking<br \/>\nwithout moving&#8230;<br \/>\nSometimes the bird comes quickly<br \/>\nbut he can just as well spend long years<br \/>\nbefore deciding<br \/>\nDon&#8217;t get discouraged<br \/>\nwait<br \/>\nwait years if necessary<br \/>\nthe swiftness or slowness of the coming<br \/>\nof the bird having no rapport<br \/>\nwith the success of the picture<br \/>\nWhen the bird comes<br \/>\nif he comes<br \/>\nobserve the most profound silence<br \/>\nwait till the bird enters the cage<br \/>\nand when he has entered<br \/>\ngently close the door with a brush<br \/>\nthen<br \/>\npaint out all the bars one by one<br \/>\ntaking care not to touch any of the feathers of the bird<br \/>\nThen paint the portrait of the tree<br \/>\nchoosing the most beautiful of its branches<br \/>\nfor the bird<br \/>\npaint also the green foliage and the wind&#8217;s freshness<br \/>\nthe dust of the sun<br \/>\nand the noise of insects in the summer heat<br \/>\nand then wait for the bird to decide to sing<br \/>\nIf the bird doesn&#8217;t sing<br \/>\nit&#8217;s a bad sign<br \/>\na sign that the painting is bad<br \/>\nbut if he sings it&#8217;s a good sign<br \/>\na sign that you can sign<br \/>\nso then so gently you pull out<br \/>\none of the feathers of the bird<br \/>\nand you write yours name in a corner of the picture<\/p>\n<p>&#8211; Jacques Prevert, translated by Lawrence Ferlinghetti<\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/bmLMPgO35uw\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>","protected":false},"excerpt":{"rendered":"<p>TO PAINT THE PORTRAIT OF A BIRD First paint a cage with an open door then paint something pretty something simple something beautiful something useful for the bird then place the canvas against a tree in a garden in a wood or in a forest hide behind the tree without speaking without moving&#8230; Sometimes the bird comes quickly but he can just as well spend long years before deciding Don&#8217;t get discouraged wait wait years if necessary the swiftness or slowness of the coming of the bird having no rapport with the success of the picture When the bird comes if he comes observe the most profound silence wait till the bird enters the cage and when he has entered gently close the door with a brush then paint out all the bars one by one taking care not to touch any of the feathers of the bird Then paint the portrait of the tree choosing the most beautiful of its branches for the bird paint also the green foliage and the wind&#8217;s freshness the dust of the sun and the noise of insects in the summer heat and then wait for the bird to decide to sing If the bird doesn&#8217;t sing it&#8217;s a bad sign a sign that the painting is bad but if he sings it&#8217;s a good sign a sign that you can sign so then so gently you pull out one of the feathers of the bird and you write yours name in a corner of the picture &#8211; Jacques Prevert, translated by Lawrence Ferlinghetti<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[29,78],"tags":[],"class_list":["post-10582","post","type-post","status-publish","format-standard","hentry","category-blog","category-video"],"_links":{"self":[{"href":"https:\/\/antaiji.org\/de\/wp-json\/wp\/v2\/posts\/10582","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/antaiji.org\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/antaiji.org\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/antaiji.org\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/antaiji.org\/de\/wp-json\/wp\/v2\/comments?post=10582"}],"version-history":[{"count":8,"href":"https:\/\/antaiji.org\/de\/wp-json\/wp\/v2\/posts\/10582\/revisions"}],"predecessor-version":[{"id":18975,"href":"https:\/\/antaiji.org\/de\/wp-json\/wp\/v2\/posts\/10582\/revisions\/18975"}],"wp:attachment":[{"href":"https:\/\/antaiji.org\/de\/wp-json\/wp\/v2\/media?parent=10582"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/antaiji.org\/de\/wp-json\/wp\/v2\/categories?post=10582"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/antaiji.org\/de\/wp-json\/wp\/v2\/tags?post=10582"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}